Friday, May 30, 2025

Beer Review: Harvey's Tom Paine

Name: Tom Paine

Brewery: Harvey's

ABV: 5.5%

Style: Pale Ale

Location: Lewes, East Sussex


Aroma: Notes of lemons, oranges, caramel and lashings of malt.


Colour: Dark brown with a one finger off-white head.


Flavour: Bitterness is immedieitely noticeable in the foreground, the mouthfeel gives it a geltanous, cloying effect that coats the taste buds. The background is notably malty with lacings of caramel toffee like sweetness present along with a hint of tangy fruity hops bring up the rear. A slight oakiness is detetced through the malt mixture, that is a tad dry on the tongue. The strength is notable, and helps bring give depth and character to the flavour profile. 


Verdict: A decent flavoured beer, it is notably bitter without it being too overwhelming, strength adds to its advantage, though the hops seem rather muted in comparrison, adding little to the distinct maltiness going, that gives it much of its flavour. The use of dry hopping seems rather prudent in this case, as the added hops don't give much edge to the flavours, aside from some tangy grassinness. If you like traditional pale ales then beer is ideal as it is easy drinking and devoid of any citrussy grapefruit flavours that often are associated with this style of beer. It is well balanced no-frills sort of a drink. It may lack in distinctive flavours, but it won't dissapoint.


Rating: 7/10 




Saturday, May 24, 2025

Beers on the Green: Bexley Beer Festival 2025

With the weather warming up, beer festival season was getting in full swing as we travelled down to the depths of Bexley on the southeastern fringes of London. After two tumultuous hours on public transport, we reached our destination, the Dartfordian’s Sports Club where the Bexley Beer Festival has been held since 2013. Now in its 18th iteration since the Bexley CAMRA branch launched their first festival in Sidcup back in 2005, the theme for this year’s showing was ‘Wish You Were Here’, a sly reference to the jet-setting travel show presented by Judith Chalmers. Far from expecting a slew of international beers on display, instead there were array of exotically flavoured home-grown beers from the mystifying Turkish Delight Milk Stout (5.6%) brimming with Eastern promise, to the likes of Zinzibier (4.1%), a golden ale featuring a blend of American hops and ginger, or the wryly named Tinker, Tailor, Sal Dare, Rye (3.7%), a dark mild flavoured with rye malt and dried cranberries. There was a fascinating array of beers available including Scottish Red Ales, Barley Wines, Brown Ales, Saison, Wheat Beers and a heap load of pales and IPA’s flavoured with NZ and US hops, which have become increasingly prolific among our nation’s brewers over the past decade. Despite it being a small-scale beer festival, there was plenty to choose from at the festival, with examples from all over the country from the local Bexley Brewery to brewers based as far away as the highlands of Scotland.



As we attended on the last day of the festival, some of the more unusual beers were unavailable, but at the time we arrived, there were still plenty of beers left. The festival is commonly held in tent next to the clubhouse, the area was large enough to house over 100 beers and around 23 ciders/ perries. As it was clement weather, the outdoor patio was available to punters, and by luck there was a cricket match taking place in the adjacent field, that kept the spectators engrossed throughout the afternoon. My first drink of the innings was Trombo (5%) a Double Hopped IPA by Gun Brewery, released last Summer it proved to be a surprise hit and has since been reissued thanks to popular demand. Flavoured with Simcoe and Amarillo hops, they play a large role in forming the distinctive fruit salad of flavours and aromas, that include the likes of Tangerine, Peach and Grapefruit. These were grounded by a piney background of hoppy bitterness, aided by a slight kick of roasted malt. An orangey golden colour, the mouthfeel was syrupy yet refreshing. Moving on, I sought to sample some offerings from the local Bexley Brewery, and eventually chose Black Prince (4.6%), a classic porter with a distinct roasted malted aroma, followed by a rush of coffee and dark chocolate that dominates the proceedings. Dark brown in colour with a tan coloured head, the promising array of aromas led to a quaffable and rich malt grain bill, with hints of coffee, charcoal and berry fruits. The mouthfeel was medium bodied and chewy, though the aftertaste was on the dry side which is common with this style of beer. For my next beer I pushed the boat out and in the spirit of the occasion, I headed north and tried some Toon Broon (4.6%) a traditional brown ale by Geordie brewers Firebrick. Classically reddish brown in colour, the malty overtones were immediately present as I supped the brew, followed by a background of caramel and roasted malts that gave it a toasty bitterness. There were hints of fruits detectable on the back-end, while the promised sweetness seemed rather muted in comparison to the other flavours which tended to dominate, perhaps the brewers were overcompensating for its relatively low ABV.



By this time my tastebuds were on overload, and I need to give them a respite, so I glided into the cider/ perry bar for a fruitier offering. Despite the wide selection available, I wasn’t in the mood for scrumpy or dry concoctions, in the end I settled for the relatively sessionable Apple Pie Cider (4%) by Turner’s of Tonbridge, living up to its name, it was refreshingly pleasant with a profound array of spices including cinnamon, nutmeg, clove and mace, enveloped with a dense fruity apple quilt of juicy syrupy sweetness with a slight hint of tartness in the background. It was distinctly moreish, flavoursome and sessionable, as Keith Floyd would have probably said, its like apple pie in a glass. It was easily the best thing I’d sampled all day, and I would have tried more if it didn’t have sample various beers. As I supped the last morsels of cider from my glass, the barrels were emptying in the main bar and the choice of beers were gradually depleting by the minute, so I had to be quick off the mark. Ultimately, I went for a third of Twelfth Night (7.4%) by Kent Brewery, fortunately this proved to be last drop of the barrel, so I clearly got this one in the nick of time. A Barley Wine by nature, it had a symphony of aromas including damsons, figs, treacle, coffee and chocolate. This was reflected in its distinctive flavour profile, which featured a foreground of caramel, toffee, mulled fruits were accompanied by background of grassy notes from the hops and bitterness, I could also detect hints of lemongrass and peppercorns on the back end, while its high strength gave it some satisfying warm. It was more of a Belgian style Dubbel in character than a Barley Wine, but this was a sterling effort from the brewers. The same couldn’t be said for Golden Bitter (4%) by Marsden based brewers Riverhead, a traditional Golden Ale using only British hops, it was refreshing enough and thoroughly golden in appearance. Yet it was disappointingly mild and lacking in flavour, as if the brewers didn’t make much of an effort with this one. Perhaps it’s my personal preference or down to the way it was served through lack of sparkler, but with the flood of beers using US and NZ hops on the market nowadays this is not a good show for beers produced in traditional British styles. At this point in the day, I was growing weary from having drunk a variety of beers over the course of the afternoon, and my mind was increasingly in a muddle in terms of what to go for, I decided to head back to dark ale territory for my final drink and headed north of the border for some Spey Stout (5.6%) from Spey Valley. Dark as midnight, it had a dense full-bodied mouthfeel with a pronounced roasted malt aroma that dominated the senses, which was also detectable in its flavour profile. This was accompanied by notes of blackcurrant and coffee, along with a notable smoky bitterness giving it added strength. Despite its high ABV it had a remarkabley smooth mouthfeel, though the relative lack of sweetness made it hard to drink. Overall, this was a brash attempt to emulate the dry Irish stouts, which is a substyle of stout that I’m not too fond of. I may have overstepped my mark with my choice, but it was by no means lacking in quality.



In all, we had an enjoyable and pleasant day out, the organisers managed the festival well and kept the stocks relatively fluid until late into Saturday afternoon. The array of drinks on offer were outstanding, particularly for a small regional setup, and these could easily put any large-scale high-profile festivals to the shade. The brilliance is down to the hard-working efforts of Bexley CAMRA, whom put out all the stops to make sure there are interesting variety of beers, ciders and perries on the bill. As a North Londoner, local beer festivals are somewhat a rarity in my neck of the woods, so the local branches should probably take note and follow Bexley’s lead and organise their own beer festivals, alas time will tell, it always does. 

Friday, May 16, 2025

Beer Review: Badger Golden Glory

Name: Golden Glory

Brewery: Badger (Hall & Woodhouse)

ABV: 4.5%

Style: Bitter 

Location: Blandford St. Mary


Aroma: Quite understandably being a Peach Ale, it has heaps of peaches, with notes of marzipan, malt and a lacing of hops that is discernable, but not overwhelming on the nostrils. 


Colour: A cross between dark gold and amber, with a one finger off-white head.


Flavour: The taste of Peaches are immedietely apparent on first sip, and linger in the foreground for a while, there is a slight residual sweetness coming though the malty notes. The background bitterness gradually becomes more noticeable until it takes over, and the peach element is gradually pushed away. The mouthfeel is smooth, yet biscuity, it is medium bodied, though verging on dry.


Verdict: An unremarkable gimmick of a beer. The promise of abundant flavours and aromas of Peaches are quietly put aside, and gradually it becomes a thin tasting, session level bitter with some roasted malt notes and a lingering bitterness. Its as if the brewers were too embarressed to label this as a fruit beer, so they did their best to disguise this by restricting the amount of Peaches in the brewing process. Ironically this is the only thing they've managed to achieve with this waste of an ale. 


Rating: 4/10 





Thursday, May 08, 2025

Canalside Pubs

There are a number of pubs situated alongside the Grand Union Canal, however within its southern reaches between Uxbridge – Rickmansworth, there are four pubs that straddle its course. Some of these public houses have long histories that long predate the building of the canal, operating as a coaching houses or other uses like mills for instance. With the establishment of the then Grand Junction Canal (built between 1793 – 1805), these establishments became public houses, becoming popular with passing boatmen and their families as they plied their cargo across the waterways. Keen to find out more about these historic inns, along with a few friends we undertook a 7 mile walk along the canal from Uxbridge to Rickmansworth. 



After setting off shortly before midday, within a quarter of an hour we already encountered our first pub, The Swan and Bottle. Dating from the 17th century, it used to be two pubs, known as The Olde Swan and The Leather Bottle respectively, around 1795 the two pubs were combined into one. Straddling both the River Colne and the Grand Union Canal, it is also conveniently located beside the Oxford Road, which used to be a major coaching route between the 17th – 19th centuries. A locally listed building, since the two pubs were amalgamated, there have been quite a few modifications to its two-storey structure. A long steeply pointed roof straddles the vicinity, whilst the early 20th century ground floor extensions to the front and rear of the entrance hide traces of its earlier appearance, indeed without a keen eye, its hard to deduce that this site formerly contained two pubs. As you enter inside, some of its original appearance has been maintained, such as the low hanging ceiling with the complex structure of wooden beams that staddle most of the ground-floor area, the square wall panels that enclose the bar counter which are typical of Georgian simplicity, some of the walls have sustained their original panelled wall design derived from a technique known as wainscotting, and the inglenook fireplace that dates from its earliest years. Other parts of the pub have been less fortunate, slapped with the paintbrush of modernity, patchwork flooring motifs and lashings of printed wallpaper that are clearly at odds with its origins. Despite the modestly side bar, the ground floor has a maze of several dining areas, where much of the pub is devoted to this service. To the left side of the building is the beer garden constructed by the banks of the River Colne, although of later construction, it is a charming inclusion that offers exclusive riverside views for the discerning customer, a half of Deuchars IPA (3.8%) proved to be refreshingly hoppy accompaniment as we soaked in the atmosphere of the surroundings. This pub is currently owned by Greene King, under their Chef & Brewer range, despite the availability of real ale and cask marque status, there’s little pub-like atmosphere to soak in, beneath this rampant devotion to the restaurant trade. 


 


Just before reaching Widewater Lock in South Harefield, we passed by the extensive beer garden that straddles the vicinity of The River Garden. A comparatively modern addition to the nearby canal, it was constructed as a roadhouse pub in 1937, it is typical of the era with its large two-storey structure and asymmetrical frontage that reeks of interwar modernity. From the outset this pub was designed for motorist in mind, situated along the busy A412 road which was extended between Denham and Uxbridge during this period. Space is very much on the forefront of this pub, with separate pub and dining areas, along with a private dining room installed a few years back following its extensive refurbishment.  The extensive rear garden boasts an impressive 600 seats along with playground facilities, there is also an outdoor patio with cafĂ© style furniture and a steeply pointed twin wigwam structure used for functions. Formerly known as the Horse & Barge, then latterly The Bear on the Barge, in 2021 it was taken over by Heineken-owned Star Pubs & Bars and local pub operators Arusha Group. The interior is very much catered towards the contemporary and stylish, so rather predictably few original features remain underneath all this gloss. There are some remnants though, like the leaded glazed windows at the front of the building, panelled maple flooring, the double-sided fireplace or the oak panelled bar counter replete with pilasters, that can be glimpsed behind the tacky modern adornments such as leather seat panels and jade tiling. The emphasis here is heavily reliant on dining, which has been more of the case since its revamp; and in recent years, cask ale options have been removed, thus making the site even further removed from what could be considered a typical pub. This place is popular with families, local organisations and functions, on the day of our visit it was conveniently well filled out with punters as thump pounding contemporary pop music blared out on the speakers. 





Just under two miles we found ourselves in the conservation area of Coppermill Lock that resides near the Metropolitan Green Belt and Colne Valley Park; until the 20th century, several mills operated in the area due to its proximity with the River Colne.  In 1974, the London Borough of Hillingdon and Three Rivers District Council jointly established a small conservation area which lay within the boundaries of both authorities. These included the Fisheries Public House, Fisheries Cottages, Black Jack’s Mill and several ex-industrial buildings. We visited The Coy Carp, formerly known as the Fisheries; situated between the Frays River and the Grand Junction Canal, it was constructed in the early-mid 19th century and was initially operated as a hotel, where it benefitted from the local angling due to the area’s propensity of lakes, the River Colne and the manmade Frays River. A large two storey structure, it a six-bay house with centrally positioned doorway, with a hipped roof and two prominent chimneys positioned on both sides, typical of the era. A combination of sash windows, small and large casement windows and dormer windows complements towards its appearance, while a single storey building runs along the towpath. Despite appearances, much of the original interior has been mostly gutted and turned into a three-level split structure that somewhat resembles a Swiss chalet. Currently owned by Vintage Inns, today this place is very much catered towards the dining trade, and there is little trace that this building was once a hotel. The central bar counter resides by a stonework floor, by the looks of the structure it appears to be a later 20th century construction although much alteration has taken place to bring up to contemporary tastes. Meanwhile the area immediately to the right of the bar is bedecked with wooden supports and low hanging timber frame ceiling, which suggests that this was original height of the ground floor before the site was extensively renovated. Access to the pub is currently via a bridge that straddles the river, linking to the rear of the property, although there is a fire-access door on the canal side. Cask ale options are available here with two regular ales and one guest, though only London Pride (4.1%) was available at the time of our visit. To the left of the building is the outdoor patio which is divided into two areas, a large one situated by the rear of the outbuildings and a smaller patio immediately next to the entrance. A mixture of stonework and lawn gives the patio a refined appearance which is complemented by rattan furniture and string lights. Despite its relatively remote location, on the day of our visit, it was filled to the rafters with punters; which is quite understandable given its convenient position located between several wetland areas, rivers and long-distance walking trails including the Grand Union Canal Walk, Hillingdon Trail, Colne Valley Trail, the South Bucks Way and the London Loop.  





Soon we crossed the county border in Hertfordshire and for the next 2½ miles there was an endless of procession of sedentary narrowboats, lakes, fields and skeletal remnants of industry. We ended our walk as we reached Batchworth Lock, where the Rivers Colne and Chess meet up with the canal in a sprawling maze of wetlands. This is also the home of the Batchwork Canal Centre, headquarters of the Rickmansworth Waterways Trust which aims to both conserve and promote the heritage of the area’s waterways. Just over the road bridge is the White Bear, situated on the intersection between Harefield and London Road respectively. One of the area’s oldest pubs, it formerly served as a coaching inn as it was conveniently located near the turnpike on the nearby London Road, and at one time it was among several pubs in the local area run by local brewers, Salters. In 1913, under the ownership of Edith and Thomas Mayo, the pub was demolished and entirely rebuilt, the small riverside inn was turned into a sprawling u-shaped two storey structure, with exposed brickwork on the ground floor replete with leaded lights; while the upper floors are timber framed with a central bay window that helps give the frontage an asymmetrical appearance, which is complemented by a u-shaped pitched roof structure used to increase the surface area along with a triptych of elaborate four-chimney pot structures that help give the place more height. The exterior is rather typical of the Arts and Crafts Movement, an architectural style that was popular during the late 19th and early 20th century. Despite the relatively large size of the pub, conversely the interior is rather small and narrow; following much of its over u-shaped layout. While the bar-counter and bar-back have been modernised with slats of hardwood, while the bay windows, door frames, wall mouldings and teak/maple panelled floor are original Edwardian fixtures. Formerly a free house, it has since been taken over by Greene King and has been turned into a Desi-Pub offering traditional Indian fare which has built a local reputation, moreover under their current owners, two additional dining areas have been constructed by the rear and front of the building, in order to increase the overall seating size. To the left of the building is a large canal-side patio with a number of tables, allowing punters to dine al-fresco and absorb sites of the nearby river and canal. Although cask is available at this pub, since the take-over by Greene King, the selection has been restricted to their own in-house offerings, although I was readily keen to sup up some Abbot Ale (5%) which proved to be a richly warming, malty and fruity concoction, bringing an appropriate valedictory note to our extensive walk along the canal.