Friday, April 11, 2025

The Black IPA Gold Rush - Part 1

Out of all the IPA substyles out there, Black IPA is perhaps the most maligned and least credited, a contradiction in terms and a literal oxymoron to drinkers, its very status has confounded people since it first came on the scene in the 1990’s. The BJCP designated it as beer that features the dryness, hop-forward balance and flavours of an American IPA but darker in colour, where dark malts are added to give a gentle and supportive flavour rather than give a strongly roasted and astringent note. Garrett Oliver, founder and brewmaster of Brooklyn Brewery added “most use dehusked dark malts to avoid a clash between hop bitterness and the acridity that conventional roasted malts can lend to beers.”[1] Black IPA as Badger Brewery once described brings together the best of both worlds, the roasted malt notes of a porter/ stout with vibrant citrussy hoppiness of an IPA. Like most IPA substyles, with the likes of Black IPA, hops take centre stage when it comes to aroma and flavour, as Nick Carr elucidates “hop flavour will be a low-medium venturing into the high range, and can bring notes of berry, pine (resinous), tropical, stone fruit, citrus, and melon. Some fruity elements are acceptable, whether from hops or yeast, however, they are not necessary for the style.”[2]  Although breweries have been producing heavily hopped stouts and porters as far back as the 19th century[3], the first official Black IPA was Blackwatch Black IPA (5.8%) produced in 1990 by Greg Noonan and Glenn Walter of Vermont Pub & Brewery in Burlington, Vermont, five years later Jimmy Kimmich joined the team and refined the recipe, introducing Carafa Special 3 malt into the mix, a German variety which he recently came across, a de-husked malt that gave German beers like Dark Lager and Hefeweizens their colour and breaded notes, but without overwhelming their subtle hoppy character. This proved to be a game-changer, and Kimmich became one of the early proponents of this style of beer. Jermey Furzy notes “the modern black IPA likely emerged in part due to the popularity of Dogfish Head’s Indian Brown Ale. First brewed in 1999, this beer opened the door for a hoppy ale brewed with darker malts.”[4] By 2003, Black IPAs were beginning to gather pace from breweries based in the Pacific north-west with the likes of Skull Splitter (9.2%) – Rogue Ales and Skookum Cascadian Dark (7.3%) – Phillips Brewing coming on the scene, these were later joined by the likes of Self-Righteous Black IPA (8.7%) - Stones and James (7.2%) – Hill Farmstead which were hugely influential for the emerging movement as it took hold in the US.[5] By the end of the noughties this style had become very popular especially in the west-coast, Em Saunter states “Black IPAs had a huge moment in 2010 when they became very popular, especially on the west coast of America where hops are grown. Many large breweries had commercially made black IPAs and it was in demand.”[6] At the Great American Beer Festival 2010, the Brewers Association officially recognised Black IPA as a legitimate beer style, and 53 entries appeared at the festival that year.

 

Meanwhile over on home-soil, Black Mass (6.66%) – Abbeydale which was first released in 1996, was effectively the very first Black IPA developed in the UK, despite it not being labelled at the time. Heavily hopped, with a predominant use of Cascade, along with Columbus, Galaxy and Green Bullet. This was complemented by a six-malt base, gathering notes of bitter chocolate, fruitcake, coffee and raisins making it a beast of a beer as notably described; yet at the time the notion of a heavily hopped dark ale was seen as a one-off curiosity and was quietly put aside. While the likes of Black IPAs were increasingly becoming predominant in the US during the noughties, it was largely ignored in the UK. One of the few outliers in the wilderness during this time was Black Ice (4.1%) by Titanic in 2006, a hop-forward dark ale brewed with Cascade and Herkules, with strong citrus notes from the hops cutting through the initial dry notes, a hoppy finish helps round it off along with subtle hints of chocolate. The beer was initially developed as a winter seasonal, before being bottled and sold all year round, yet at the time it was labelled as a Mild due to the lack of awareness for Black IPA at the time.  Just as its appeal was peaking in the US around 2010, Jonny Garrett notes that the increase in popularity for Black IPA in the UK was facilitated by the ascent of the craft beer movement, noting “some of the country’s early leading lights—BrewDog, The Kernel, Beavertown Brewery, Magic Rock Brewing, Buxton Brewery—all had one in their core range, or at least brewed regular Black IPA seasonals. To British breweries opening in the early 2010s, having a Black IPA was proof that you were taking this “craft” thing seriously.” [7] This new generation of brewers took interest in the buzz that was taking place across the pond, and were keen to have a slice of the pie. Soon as a result, during the early 2010’s the rate of Black IPAs produced in the UK gradually increased as brewers flocked to take advantage of this veritable gold rush of innovation. Thornbridge was an early proponent of Black IPA in the UK, launched in 2005, the brewery initially focussed on developing cask beers that utilized traditional recipes, but with a modern twist through the innovative use of hops and malts. Gradually they took influence from popular international beer styles like the emerging Black IPAs in the US, and in 2009 they released Raven (6.6%)[8], that featured a combination of American and New Zealand hops including Centennial and Nelson Sauvin, that gives its piney, fruity character, along with Sorachi Ace that adds aromas of cocoanuts and citrus fruit. Louis Gunz described it at the time “Raven is a massively hopped Black IPA. It pours black as night, has a beautiful intense aroma of pine and sweet roasted malt, citrus and blackcurrants. Flavours are a complex combination of bitter chocolate with pineapple and orange preceding a long bitter finish.”[9] Since it was first launched Raven has become hugely successful, winning a raft of awards and becoming one of Thornbridge’s most noteworthy products. The subsequent success of Raven effectively led the charge for the emergence of Black IPAs in the UK, and as the new decade dawned, Black IPA would soon take the UK brewing industry by storm.

 

2011 proved to be a fruitful year for Black IPAs, on 9th January, Kernel launched their Black IPA (6.3%) at the Rake Bar, London; members of the London Brewery Alliance[10] were invited to the launch. Meanwhile, St. Austell developed Proper Black (6%), an alternative version of the brewery’s flagship product Proper Job (5.5%). The beer used a multitude of hops, including Brewer’s Gold, Chinook, Centennial and Cascade, Beer Today described it as “black with the faintest hint of red and a thick, foaming tan head. The aroma is piney hops, with a little chocolate malt in the background. On the palate, there’s resinous, grassy hop notes dominating an edge of cocoa and bitter coffee. A great example of the black IPA style.”[11] It would subsequently go onto becoming a popular product for the brewery, appearing in their regular range for the next several years. Likewise, the same year, Moor Beer Co. released Illusion (4.5%) a session Black IPA, Bristol Beer Factory debuted India Ink (6.5%), in May, Buxton showcased their newly released Black Rocks (5.5%) at the Stockport Beer Festival, Brodies produced Dalston Black (7%). one of the first bottled conditioned Black IPAs which Matt Curtis summed up “the malts in the beer are never overpowering and the notes of coffee I often get with this style that I would normally associate with a great stout are very muted but provide a study scaffold for the resinous, zesty flavour.”[12] Meanwhile, the newly launched Windsor & Eton brewery released Conqueror (5%), described as a rich and complex ale brewed with five different malts, along with Summit and Cascade hops, to produce and potent combination of roasted flavours balanced with a pine-hop aroma. Simon Martin from Real Ale Craft Beer proclaimed “it’s a good bittered beer, grapefruit, orange zest going on in the beer too, and then right at the end, when you’re just about to think where’s the chocolate malt, it kicks in right at the end, very subtlety.”[13] It would subsequently go on to be sold in bottle and cask as a part of their regular range, becoming one of their most popular products, and inspiring a number of spin-offs.[14] As the year came to an end, Brewsters joined the fray with Cruella (4.8%), sold as part of the brewery’s Wicked Women range of limited release beers; described as a dramatic beer, it was developed in tribute to the foremost villain of 101 Dalmatians. In December, Magic Rock released Magic 8 Ball (7%) that fused speciality malts with new world hops to create a tropical punchbowl of flavours and aromas, it was subsequently sold in cask, keg and bottles. As 2012 dawned, Stewart Brewing produced Black IPA (5%), initially developed for a beer challenge the beer soon became widely popular, even winning Silver at the 2012 International Beer Challenge, which prompted the brewery to put it on regular release, the following month Kent Brewery introduced their first Black IPA Engima (5.5%). Meanwhile, in March, Brewdog debuted their Libertine Black Ale (7.2%), which was marketed as a voluptuous beast of a beer noted for its hop flavours and complex malt profile, whilst Buxton released Imperial Black (7.5%), one of the first Imperial Black IPAs, it was described on its labels as a game changing beer with abundant fresh hop aromas of zesty citrus pulp and forest fruits, complemented by a roasted malt base. And Otley went in for the pun with Oxymoron (5.5%), noted for using German Carafa malt and 5 different hops, with dry hopping for added flavour. Boak and Bailey were left perplexed, noting at the time, “we detected an alluring hint of smokiness and a clanging grapefruit acid note. Much as we enjoyed it, we’re not sure the effect was deliberate, or that it is really an IPA in any meaningful sense.”[15] Later that year, Salopian produced their first Black IPA, Vertigo (7.2%) bottled conditioned in 330ml bottles it was described as full bodied with chocolaty orange notes and aromas reminiscent of green hops,  moreover Conwy planted the flag for Wales with Riptide (4.6%), brewed with US hops including Columbus, Cascade and Mosaic, it was effectively a tribute to the hoppy aromas of the American IPA, this beer was later retailed in cask and bottle as part of their regular range, becoming one of the most widely sold Black IPAs in Wales.  North of the border, Fyne Ales debuted Sanda Black (5.5%), named after the Sanda lighthouse, located off the southern tip of the Mull of Kintyre in southwestern Scotland. It was developed as a cask special, as part of their IPA project exploring malt and hop combinations on different styles of hop-forward beers. It was brewed with Citra and Nelson Sauvin hops, along with five types of malt, including Maris Otter, Wheat, Crystal Malt, Carafa Special 3 and Black Malt; the Ormskirk Baron described it as having “bold flavours with aromas of passion fruit and gooseberry burst onto your taste buds before being balanced by roasted chocolate smoothness.”[16] Meanwhile, the recently launched Beavertown Brewery hopped onto the Black IPA bandwagon with Black Betty (7.3%), developed as a homage to penny Sweet Shops, reminiscent of black jacks and fruit salads, the brewery described it as having “tropical fruit flavours offset with liquorice and chocolatey malts, not for the faint hearted.”[17] It gathered a mixed response, Boak and Bailey noted “complex and interesting, then, and exhibiting a distinctive brewery character. It won’t be to everyone’s taste, but beers that aren’t to everyone’s taste are what we’d like to see more of,”[15] while Patrick O’ Connor was more favourable “Black Betty is a mouth filling full-bodied brew. This beer is loaded with a wide range of flavours; dark chocolate, caramel and roasted malt leading into some tropical flavours. All topped off with loads of malt.”[18] In the space of two years, a number of breweries across the UK produced a multitude of Black IPAs, this sudden growth in popularity was due to the craft beer boom, where consumers favoured more artisanal produced products over mass-market brands. Yet, the very thing that facilitated it success would soon prove its undoing. 



 List of Refernces 


[3] Ron Pattison has uncovered some fascinating early examples of hop-forward stouts, in 1921, Barclay Perkins released Irish Stout (4.3%) that used Goldings and dry hopped Cluster hops, likewise with their Imperial Stout (5.4%) released the same year. Later in 1928, their Export Stout (7.4%) used additional dry hopping in the brew.

[5] Around this time, it became hotly debated whether to label this style Black IPA or Cascadian Dark Ale, Nick Carr adds “Cascadian is a reference to the heavy use of hops from the Northwest region in the style. It is also in this region where many of the early examples were brewed.” CDA’s tend to be brewed with the likes of Amarillo, Centennial, Chinook and Cascade hops which are sourced from these regions, and feature notable hop-forward characteristics and a lower emphasis on roasted malt flavours, yet others have argued there is effectively little difference in flavour between Black IPA or Cascadian Dark Ale, and they have effectively cohabited each other.

[8] Later renamed Wild Raven.

[10] Founder and head brewer of Kernel, Evan O’Riordan was also a member of the London Brewery Alliance.

[14] Alternative versions have also been released, including the extra strength Conqueror 1075 (7.3%) and rare versions including Irish Conqueror (5.8%) brewed with Irish Whiskey added to the cask, double dry-hopped Conqueror (5%), Ginger Conqueror (5%), and the festival special Caribbean Conqueror (5.8%) brewed with Rum added to the cask, brewed especially for the Hope Extreme beer festival in 2012.

[18] Patrick O’Connor, Bevvy of the Week: Beavertown – Black Betty, The Life of Stuff, 11th March 2017 

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